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Each
instrument begins with us selecting the tonewoods it will be made
from. We use traditional materials such as Sitka Spruce from Canada
and European Spruce for the tops of our guitars and European and
Canadian Maple for the back, sides and necks. We have also had good
success using some of the Australian timbers such as Queensland
Maple, a beautiful timber which is ideal for the back sides and
necks of the instruments. This locally growing timber can also be
used on the tops giving the instrument a bright, loud and rich sound.
Most
of our timber is hand picked by us at the source either here in
Australia or in Europe. After
selecting the timber an instrument will be built from, we then
examine each piece and make judgments on its visual and tonal
qualities.
The
top and back of each guitar are carved by hand from solid slabs of
timber into their finished profile. Once the plates are shaped
they must then be tap-tuned, this is an intuitive process in which
the plates stock is removed from the back of the plates until they
ring at their at their optimum resonance. This is a crucial
process as the top and back plates are what will produce the sound
when the instrument is played. It is also a process which must be
completed by hand. Because every piece of timber is different,
they need to be tuned differently. This is what separates
hand-built archtop guitars from factory made instruments.
The
bracing of the top is also a crucial step. The bracing gives the
top its strength and also contributes to the sound of the finished
instrument. It must also be tuned, like the top plate, to give the
guitar the best possible tone. We also reinforce the centre join of
the top and back plates, this is an important step which many
archtop guitar makers neglect to perform and is crucial to prevent
the seam opening up over time.
Each
part of a completed guitar, no matter how small, plays a role in
the sound and look of the instrument, it is for this reason that
we pay careful consideration to each stage of the construction of
our guitars, ensuring that the completed guitar is at its maximum
potential. because each piece of timber is different, we make
adjustments of each part of the instrument as we build it so that
the finished product has the optimum volume and tone.
We
finish our guitars using Nitrocellulose Lacquer.
This is a very time consuming process in which the finish is
sprayed on in about 25 to 30 thin coats. Once the spraying is
completed, the finish must be left for two to four weeks to cure.
When the finish has cured, it is then polished, by hand to a high
gloss. The finishing process of one of our instruments takes about
30 hours of labour in total
The
setup of a guitar is crucial to the instrument's playability. The
most critical components in the setup of any guitar are the
fretboard and frets. We build our guitars to the have the lowest
possible action. We pay particular attention to ensure that the
frets and fretboard are precise, level and free from string buzz.
Each
Guitar takes up to 200 hours to construct. We have only a
few guitars under construction at one time. This allows us to
give every guitar a level of attention to detail that is second to
none and it is this careful attention that gives the instruments a
look of genuine quality and an equally beautiful sound.
© Sean Hancock
2003-2005.
All rights reserved
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